Category: General Howe

  • You Don’t Mess Around With George–July 14, 1776

    Cover art for July 14, 1776: altered portrait of George Washington, via tenor.com.

    One of the most common things written about George Washington is that he always behaved like a gentleman, and expected others to behave the same way; following protocol was very, very important to him.

    When he was sixteen years old, he copied out by hand 110 rules of Civility & Decent Behavior in
    Company and Conversation
    , likely as a penmanship exercise. These rules are based on a set of rules composed by French Jesuits in 1595. The first English translations of the French rules appeared in 1640, and are ascribed to Francis Hawkins, the twelve-year-old son of a doctor. (So, probably as a translation exercise from Hawkins’ French tutor.)

    Without even knowing it, the people who worked with this set of rules was absorbing a code of behavior that worked for people of all social strata, rather than for a specific class of people. Thus, it makes sense that the protocol for Washington as a leader of soldiers, and then a nation, depended on the “all men are created equal” credo.

    As Parson Mason Locke Weems said of Washington, “‘no wonder every body honored him, who honored every body.” And while Weems is also thought to be the guy who made up the Cherry Tree story, he was certainly correct in this respect.

  • Howe Checks In–July 7, 1776

    Cover art for July 7, 1776: color mezzotint print portrait of WIlliam Howe by John Morris, published in 1777.

    William Howe had already been in New York for a little over a week when he wrote to George Germain from his Staten Island headquarters.

    Not everyone had yet arrived from Halifax, of course; it was a long trip and the ships moved at different speeds. Howe took the time to detail what troops and ships had already arrived in New York, and what was still enroute, and that he was awaiting some more reinforcements before acting in full.

    I presume that he was as detailed as he was because he was dispatching the letter to George Germain immediately via a packet ship, and the American Navy wasn’t really in a position at that point to intercept anything; otherwise they would have had a lot of actionable information about troop movements and their plans.

    On the other hand, George Washington (and a few others) had already figured out what the British were up to, but at this point they were at a little bit of a loss regarding how they were going to counter it.

    Part of the problem was that the troops were still fighting more or less defensively. They didn’t have a specific cause to fight for. But in another couple of days, they would have that. It wouldn’t really help in the short run here, but it worked wonders in the end.

  • Laundry Day–March 10, 1776

    Cover art for March 10, 1776: General Howe's proclamation regarding the collection of linen by Crean Brush. Via National Archives.

    For a guy who’s technically on the wrong side of history, Crean Brush was a pretty interesting character.

    Mike mentions in the episode that Brush was jailed for some time during the Revolution, but time didn’t allow him to tell you how Brush managed to get out of jail. I’m not going to spoil it, but the truly fascinating story can be found in this article by Eric Weiser. This article was one of those serendipitous finds that turned up when I went looking for a picture of Crean Brush. It’ll take you about twenty minutes to read, but I guarantee it’s worth your time, and I’ll give you your money back if you disagree.

    General Howe’s demand that people turn their linen and wool goods over to Brush sounds a little weird on its surface, but once you look a little closer you’ll see that it’s more petty than anything else. That said, there was a pragmatic angle to it as well: the material could be used to keep their troops warm and/or bandage any wounded British.

  • The Big Guns In Boston–March 9, 1776

    Cover art for March 9, 1776: portrait of Rufus Putnam by James Sharples, 1796. via the National Park Service.

    The occupation of Dorchester Heights, just across the river from Boston, was perhaps the final step that George Washington needed to end the siege that had gone on for nearly a year.

    Of course, it wasn’t just occupying Dorchester Heights; Washington could have pretty much done that at any time. It was occupying them with a terrifying speed, thanks to Rufus Putnam (the guy in today’s cover art, by the way) and his clever plan for assembling the defenses there. And thanks also have to go to the big cannons that had been brought down from Ticonderoga. These guns had the range that Washington needed to not only shoot at Boston if he needed to, but to fire upon British ships in Boston Harbor.

    Howe had a couple of moves left, but it was nearly over.

  • The Great Carrying Place–October 11, 1775

    Cover art for October 11, 1775: "Carrying the bateaux at Skowhegan Falls", drawn by Sydney Adamson; halftone plate engraved by CW Chadwick, 1903.

    Benedict Arnold and Company are still on the move toward Quebec. Over a three-week period they’ve moved fewer than 90 miles, with only…300 to go. Today they’ve reached The Great Carrying Place, a 13-mile walk alternating between woods and knee-deep mud, all while carrying everything they’ll need to get to Canada.

    Back in the Colonies proper, General Gage is being replaced by General Howe. Gage was largely responsible for the Siege of Boston, especially since they weren’t able to break that siege. And then Bunker Hill came along. Sure, the British won but at great cost—a Pyrrhic victory. Once word got back to Britain about that, Lord Dartmouth appointed Howe within a couple of days. Of course, it took several weeks for the news to get back to America, and on September 26 he learned he was being replaced. By this days’ end, Gage was on his way back to Britain.