250 and Counting

Category: Coercive Acts

  • June 5, 1775: A Birthday Party for the King

    Cover for June 5, 1775: Portrait of Peter Tondee. Artist unkonen.

    Peter Tondee and his wife Lucy ran Tondee’s Tavern in Savannah, Georgia. It was quite the location for revelry and such, and it was a popular meeting place up until it burned down in 1796, along with most of that city. Nowadays there’s a plaque in the side of the building where Tondee’s once stood.

    And on this day in 1775, the Sons of Liberty got together to throw the King a little birthday part, without balloons, or cake and candles, or much other than a little food and a lot of fermented beverages, if you catch our drift.

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  • April 26, 1775: Josiah Quincy II Dies at Sea

    Cover art for April 26, 1775: posthumous portrait of Josiah Quincy II by Gilbert Stuart, c. 1825

    Josiah Quincy—who we’ve talked about before; remember that portrait?—would have been one of the more prominent men we speak of when we use venerated tones about the Founding Fathers, had it not been for the fact that he died just as the war was getting started.

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  • February 27, 1775

    Cover art for February 27, 1775: Portrait of Frederick North, Lord North, by Nathaniel Dance-Holland, ca. 1773-4

    And once again, we have someone (two someones, really) who manage to come up with a plan that will put all this unpleasantness between the Thirteen Colonies and the British Empire to rest, and once again the physical distance between the two threatens the success of those plans.

    What’s more, it turns out that the more popular of the two plans has an almost-hidden ulterior motive…

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  • February 25, 1775

    Cover art for February 25, 1775: Posthumous portrait of Josiah Quincy II by Gilber Stuart

    Today we review two different pieces of correspondence—one local, the other trans-Atlantic—in which the letter writers are clearly coming to the conclusion that things are not going well between the British and the Colonies, and that preparing for war is probably inevitable at this point.

    And that’s interesting on its own, but we also wanted to call your attention to the cover art for today’s episode. The person in the picture is Josiah Quincy II, who is discussed in the episode as a “side” character of sorts. The painting is by Gilbert Stuart, who is pretty famous for painting hundreds of American politicians and public figures, and perhaps most famous for the “unfinished” portrait of George Washington that served as the model for the one-dollar bill. There aren’t a lot of portraits of Quincy extant, but this one (which was painted after Quincy’s death in April 1775) gets a lot of attention from Stuart scholars because it provides a very candid representation of Quincy’s strabismus, or misalignment of the eyes. (It’s possible that he simply had amblyopia but we don’t know for sure nowadays.) Most people agree that it actually gives Quincy a little extra dignity and esteem.

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  • February 23, 1775

    Cover art for February 23, 1775: the cover page of Alexander Hamilton's Pamphlet, "The Farmer Refuted."

    Alexander Hamilton isn’t really considered one of the Founding Fathers, largely because he’d only arrived in America from Scotland around the same time that things started getting ugly between the Colonies and the Crown. But he quickly took up the cause, and it’s clear from his writing that he was of a similar mind as Jefferson, Franklin and the rest.

    When he joined the Continental Army, he rose quickly through the ranks, becoming Washington’s staff aide and entered politics shortly after the war ended. So while he wasn’t on hand for the initial segment of American statesmanship, he was there when the basic framework of our government was laid down.

    But back to his writing: he and the Reverend Samuel Seabury (we first heard from him on January 4) got into the habit of debating each other through pamphlets, written under pen names. They’re quite well-written and easy to understand, and because they’re only pamphlets, they don’t run especially long. They’re worth checking out.

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  • February 17, 1775

    Cover art for February 17, 1775: a map of Albany and the surrounding area in the late 1700s.

    We’ve mentioned in the past that the intent of most of the Intolerable Acts and the Coercive Acts were designed to punish the Massachusetts Province, but it had some effect on the other colonies as well. What’s more, there was a growing worry that, if Parliament could do things like this to Massachusetts, what’s going to stop them from doing it to us?

    To that end, the city of Albany, NY, began making plans just in case war broke out. It was against the law, but their reasoning was that it was better to have a militia and not need it, than to need it and not have it.

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  • February 16, 1775

    Cover art for February 17, 1775: Portrait of David Barclay

    David Barclay was a British merchant who frequently plied his trade with other merchants in the Colonies. Such trade was quite lucrative for him, so when the Stamp Act was enacted, he stood to lose a lot of money because the Colonists would simply look elsewhere for the goods he sold.

    Likewise, when the Intolerable Acts, and the Coercive Acts were enacted, Barclay stood to suffer even more.

    So Barclay came up with a plan that would allow everyone to save face and bring these acts to an end.

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  • February 9, 1775

    Cover art for February 9, 1775: text of the address to the Joint Session of Parliament declaring the Colonies to be in rebellion

    The first week or two of February 1775 could best be described as a series of misunderstandings and communication breakdowns. Any attempts on both sides to reach out with some form of conciliation managed to fail for various reasons.

    And during all these breakdowns, the situation on the American side of the pond only got worse as time went on, largely because each side thought that the other wasn’t being responsive.

    In the end, however, it didn’t really matter, because as we’ve discussed with the episodes dealing with Massachusettensis and Novanglus debating one another in print, the one thing they agreed upon was that these attempts to reach out were always, at their heart, rooted in some attempt to wrest control from the other party. Both reaching for it, neither attaining it nor caring what the other side’s argument meant at the core.

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  • February 5, 1775

    Cover art for February 5, 1775: Portrait of Benjamin Franklin by David Martin

    As noted previously, the First Continental Congress composed a Petition to the King asking him for some relief from the Intolerable Acts. The petition arrived in London in mid-December, which turned out to be some bad timing for a number of reasons.

    Benjamin Franklin was in town for diplomatic purposes, and he composed a letter to Charles Thomson, the Secretary of the Continental Congress, which summed up the problem: not only was the Petition but one among many, many other documents, it appeared that Parliament didn’t much care what the Colonies thought. And that’s the kind of thing that makes for bad relationships.

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