Tag: 1/21/1776

  • Helping New York Help Itself–February 21, 1776

    Cover art for February 21, 1776: "Bowling Green, Broadway," by artist James Dakin and engraved by the firm Barnard and Dick, 1831. The house on the left became Washington's headquarters when he came to New York.

    There’s a line in the play 1776 about how everyone in the New York Legislature is very loud and talks very fast and as a result nothing ever gets done. This was likely a side effect of the fact that New York was so politically mixed at the time. Everyone hollering at rather than talking to each other means that nobody is truly connecting with anyone else. Thank goodness we’ve moved past THAT! <eyeroll>

    But New York and the Hudson Valley in particular held great strategic value for the various parties involved in the conflict we call the American Revolution. Britain taking that area would separate New England from the other Colonies. What’s more, George Washington knew it. So he devoted a lot of energy into ensuring that that territory remained defended, even while the British were nowhere in sight, because he knew it was a matter of time.

    And he was right: the British did show up ready for battle. It didn’t happen when he expected it to happen, and we’ll talk about that when things start heating up.

  • Elisha Haley–January 21, 1776

    Cover art for January 21, 1776: Portrait of Elisha Haley, artist unknown, created approximately 1860.
    Portrait of Elisha Haley, artist unknown, created approximately 1860.

    Elisha Haley wasn’t necessarily a lawmaker at either the State or the Federal level who made such a huge mark that he’s become a kind of household name, but he appears to have been solid enough that he could get elected multiple times at both levels.

    I did discover, after recording the episode, that Haley is not, in fact, buried in Crary Cemetery but rather in the Wightman Cemetery, which is also in Groton. His wife and four of his children are also buried there.