Abigail Adams had some thoughts when it came to arbitrary power, and how fragile it is.

But you get all that from the episode itself. Instead, here in the show notes, I’m going to point out that I’m the one who took the photo used for today’s cover art.

The painting hangs at the Massachusetts Historical Society, and because they keep it relatively dim there, you can see the reflection of the stairwell leading down to the main entrance. The white spot over Abigail’s head is the reflection of a light across the gallery, which is maybe 15 feet across. I’m standing at a slight angle so I’m not part of the reflection. (It’s also partially cropped here; I’m not that bad a photographer.)

The painting was donated to the Society by one of John and Abigail’s descendants, who is coincidentally also named John. The docent I spoke with didn’t know whether there was a family tradition of naming sons “John” as homage to our Founding Father, but he conceded it’s certainly likely.

The letter cited in today’s episode is part of the MHS collection, though it wasn’t on display the day Mike and I visited. MHS has literally thousands of Adams Family documents, and there are people there who work only with those documents. That’s their only job!

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