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Tag: Jonathan Trumbull

  • Notes From All Over–April 11, 1776

    Cover art for April 11, 1776: Detail of the April 11 letter from Abigail Adams to John Adams. via Massachusetts Historical Society.

    While there were a lot of smaller things going on on this day in 1776, there are typically multiple things going on for any given day. We often have to make choices regarding what we’re going to concentrate on, and don’t think we don’t feel a twinge of regret when we spot something else that happened on thus-and-such a date and had a moment of “Man, I wish we’d done that one.”

    So today we were fortunate in that there were several smaller items going on, but we didn’t have to use up a lot of audio real estate to cover all of them. It’s nice to have the luxury of telling all the stories you’ve got for a day.

    Incidentally: Mike and I are in Boston this week, absorbing history, interviewing people and shooting video for you to enjoy in a few weeks when we’ve finished editing it. It’s an extra dimension to the show that we hope you’ll enjoy.

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  • Salisbury Iron Furnace–February 2, 1776

    Cover art for February 2, 1776: A typical iron factory setup, This image is generally used to represent the Salisbury Furnace. via National Park Service.
    A typical iron factory setup, This image is generally used to represent the Salisbury Furnace. via National Park Service.

    In early 1775 when hostilities first broke out, the Salisbury Iron Furnace was owned by an Englishman named Richard Smith. By the end of the year he’d cleared out and gone back home to England, and remained there for the rest of the war.

    After an inspection in early January, the Committee of Safety formally recommended that the Salisbury Iron Furnace be confiscated and made ready for the production of cannon. The first cannon rolled out on May 27, and by the time the war ended, about 850 cannon—about 75% of all the cannons made in the colonies—had come from Salisbury, not to mention ammunition and other armaments.

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  • Preparing To Defend New York–January 7, 1775

    Cover art for January 7, 1775: Portrait of Jonathan Trumbull and his wife Faith, painted by his son John Trumbull, 1778. via New York Public Library.
    Portrait of Jonathan Trumbull and his wife Faith, painted by his son John Trumbull, 1778. via New York Public Library.

    There are many letters between George Washington and Connecticut Governor Jonathan Trumbull. Presumably something as simple as proximity to another leader was attractive to both of them, especially in an age where letters took several days to go a hundred miles.

    We have to presume that the two men had very reliable people transporting these letters, given how much detail is in this one regarding Washington’s guesses about British troop movements and exactly what he was going to do about it. It’s certainly been the case before that correspondence has been intercepted by the British in the past, and the Postal Service hadn’t been up and running for very long by that point.

    At any rate, Washington was correct in that the British were taking a hard look at New York City (still mostly just the southern tip of Manhattan, mind you) and the palisades along the Hudson River, which was still called the North River then. Where he was likely incorrect was in the timing of that move, which may have resulted in a little complacency.

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  • A Furnace for Arms–January 2, 1776

    Cover art for January 2, 1776: the Mount Riga Ironworks Furnace in Salisbury, CT. via Wikimedia Commons
    The Mount Riga Ironworks Furnace in Salisbury, CT. There was more than one furnace at this location; this is the surviving one. It’s on the National Register of Historic Locations and a lovely place to visit if you’re in the northwest corner of the state.

    The Mount Riga Iron Furnace isn’t an especially unique artifact on the east coast of the US. In fact, as someone who lives in Baltimore, I get to see one of them regularly when I visit my mother-in-law, who lives about a half-hour’s drive away in a more rural part of the state. Unfortunately, that one (the Northampton Furnace is in bad shape because of its location close to a modern-day reservoir, so it’s in the water a lot of the time.

    But it got me curious enough to wonder what they did, and how they worked. In the oversimplified version, you layer the iron ore and limestone, along with the fuel, usually charcoal or coke, into a tall stack.

    Once the fire is lit, air is pushed into the bottom and forced upward, creating superheated air which gets it to about 4000 degrees. The ore melts down and the limestone collects the impurities in the ore.

    The limestone and impurities float to the top as slag, and the molten iron can be removed as pig iron. This is the raw material for making iron and (later on) steel.

    (Steel did exist in the 18th century, but it would be nearly 100 years before Henry Bessemer came up with the mass production process that made the Industrial Revolution possible.)

    Iron furnaces aren’t unique, but they’re not especially common either, so it was important in the Revolutionary Era to locate them and ensure that they were adequate for creating the raw materials for producing weapons.

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  • June 28, 1775: A Day of Paperwork

    Cover art for June 28, 1775: Portrait of Jonathan Trumbull by Harry Ives Thompson. Painted in 1880, long after Trumbull's death but it appears that Thompson was trying to re-create Trumbull's appearance at the time of the Revolution.

    It feels like we’re selling the day a little short, but not every day has to be Bunker Hill. Also, we’re discovering (and we hope you are, too) that sometimes it’s the smaller moments between the bigger ones that give us better insight into the hearts and minds of the people who lived during that time.

    Cover art for April 28, 1775: portrait of Governor Jonathan Trumbull, artist unknown.

    Today’s artwork is a portrait of Jonathan Trumbull (brother of John Trumbull, the guy who painted so many of the Founding Fathers), but this painting—which was created in 1880, long after he died—appears to show him as he was around the time of the Revolution. Compare that to the image we used for him back in April (right), which showed him in his later years as Governor of Connecticut.

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  • April 28, 1775: Jonathan Trumbull Chooses a Side

    Cover art for April 28, 1775: portrait of Governor Jonathan Trumbull, artist unknown but could be his son John Trumbull.

    Jonathan Trumbull was one of only two men to serve as governor of a Colony and of a State. (Nicholas Cooke of Rhode Island was the other.) This, to us, gives him a kind of air that perhaps he could be trusted by all parties to act appropriately.

    And when push came to shove, Trumbull found himself in the position of having to support the Colony rather than the crown, as you’ll see in today’s episode. And as things further deteriorated, he became more focal about supporting the Colony, since the British no longer appeared to view the Colonists as subjects of the Crown but as a genuine enemy to be crushed. (Which is exactly how many in Parliament felt, so.)

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