Tag: Second Continental Congress

  • Deane Gets Busy–October 6, 1776

    Cover art for October 6, 1776: Silas Deane House in Wethersfield, Connecticut. via Library of Congress.

    We’ve talked so much about Silas Deane that I don’t have much new to share in this space, so I’ll tell you a little about his house.

    The house in today’s cover art was completed in 1769. It’s located in Wethersfield, Connecticut. The facade is asymmetrical because there was a porch at one time.

    Deane designed the house specifically to impress people and to project an image of power. It has two parlors: one for entertaining and one for family dining, and the kitchen is oversized specifically to allow for preparation of larger meals when there were guests.

    Elizabeth Deane entertained important people when Silas was away for one reason or another, whether it was performing his Congressional duties or engaging in diplomatic missions overseas, as he was during this episode. Among those VIPs would be John Adams and George Washington, on separate occasions. Elizabeth died in 1777, while Silas was still in Paris.

    After Deane’s death overseas in 1789, house and possessions were sold to satisfy his creditors. It passed through many different owners until 1874, when the Fenn family took it over. Then in 1938 they bequeathed the house to the National Society of the Colonial Dames of America, and it’s been a historic site for visitors since then.

  • Brother, Can You Spare $5 Million?–October 4, 1776

    Cover art for October 4, 1776: Continental Currency Dollar Coin, 1776. via Professional Coin Grading Service.

    War bonds have been a thing since literally the beginning of the country.

    In this particular case, Britain had spent a few years taking as much hard currency (that is, gold and silver) from America as they could, which left us in a pretty bad state when it came to having something to back our money.

    The coin used for today’s cover art was actually a Continental Dollar, which was designed by Ben Franklin. Coin dies at that time were hand-punched, which means that because the dies only had so much lifespan to them, a limited number (a few thousand) could be made but the next run would be slightly different from the previous one. There are records of some coins being misspelled, such as this one. Another die has “currency” misspelled as “currencey”.

    The Continental Dollar coin also had a little bit of a rebus pun on it. The word “FUGIO” is Latin for “I fly”, referring to the sun and the sundial. Then underneath the sundial is the English phrase “MIND YOUR BUSINESS”. Put it all together and you get, “Time flies, so mind your business.”

    Most coins at that time were made of pewter; only about a hundred survive to this day, even though thousands were made. The prevailing theory for this is that most of them were melted down because of wartime demands for the metal.

  • Busy Day For Mr. Rutledge–September 27, 1776

    Cover art for September 27, 1776: Portrait of Edward Rutledge by James Earl, 1791. via Gibbes Museum of Art in Charleston, SC.

    In putting this episode together, I realized that I used this same image of Edward Rutledge back in the September 9 episode. However, I neglected to put the information for the image in the alt text. And that’s something I do try not to overlook. On the other hand, I was still hopped up on cold medication, so there’s that.

    And before I forget, I mentioned the censure of Esek Hopkins during the episode, so I wanted to ensure that I linked back to that as well.

    In addition to being the youngest signer of the Declaration of Independence, at the tender age of 26, Edward Rutledge was also a governor of South Carolina. By my count he was their ninth governor, from 1798 to 1800, but that’s if you count his brother John Rutledge twice, since John served twice, non-consecutively. Also, he was the ninth governor of the state of South Carolina; if you count the colonial governors, he’d be thirty-ninth.

    After leaving the Continental Congress, Rutledge did fight in the Continental Army. He was captured during the Siege of Charleston in 1780 and released in a prisoner exchange the following year.

    I should note that while Rutledge was governor he suffered from an attack of gout and went home to Charleston to recuperate. Not long afterwards, he heard the news of George Washington’s death and was so upset by this that he had an attack of apoplexy and died. (Modern-day medical types would probably say that he had a cerebral stroke.) Rutledge had been the Governor for 401 days.

  • The French Commission

    Cover art for September 26, 1776: 1785 portrait of Arthur Lee by Charles Willson Peale. via Independence National Historical Park in Philadelphia.

    The Continental Congress, in the wake of Washington’s recent letter, finally realized that they weren’t going to be able to defeat the British on their own. Some outside assistance would be needed.

    So on this day in 1776, they appointed a three-man commission to undertake a diplomatic mission to France, seeking money, arms and other materials.

    France, as we’ve mentioned before, was a good country to hit up. They were still salty about the way the French and Indian War ended up, and they’d already been assisting America through gray and black markets, in order to give themselves plausible deniability should someone get caught. Should this mission succeed, the activity would be much more overt, and could be perceived as France’s official recognition of the United States as a sovereign nation.

    It ultimately didn’t work out that way; that particular distinction went to Morocco and France became the second nation to officially recognize the US.

    As Mike notes, the trip itself wouldn’t get underway for another few months, but there’s no doubt that the meeting with French authorities marked a critical turning point for the American Revolution.

  • John Adams Wants To Go Home–September 25, 1776

    Cover art for September 25, 1776: the entire letter from John Adams to Abigail on this date. via Massachusetts Historical Society.

    Back in April, Mike and I had the opportunity to visit the Massachusetts Historical Society, and we were able to spend some time with the man whose job it is to curate, analyze and organize the papers of the Adams family. Not just John and Abigail, but their descendants and maybe a few ancillary branches of the family. At one point in the conversation I said to him, “It seems like John and Abigail were really hot for each other.”

    He was a little taken aback by this but he didn’t disagree with me, either.

    And I stand by my statement; it was clear by both the content and the tone of their writing that they were deeply in love with one another, and it was positively killing him that he had to spend so much time in Philadelphia, away from her.

    Which is why the letter discussed in today’s episode may come as a surprise.

  • Washington’s Desperate Letter–September 24, 1776

    Cover art for September 24, 1776: portrait of George Washington commissioned by John Hancock shortly before the Declaration was issued, painted by Charles WIllson Peale in 1776. via the Brooklyn Museum.

    George Washington was a practical man, and he realized that without a standing army, he wouldn’t stand a chance against the British.

    Sure, it’s good to have motivated people who are passionate about the cause, but when they have setbacks, they’re more likely to bail out, and that’s exactly what he was facing once the dust began to settle from his losses in New York. Many of the recruits that he had weren’t finishing out the enlistment period they’d agreed on when they first joined up, and the fact that their supplies and their pay were sporadic didn’t help matters.

    It was with this in mind that Washington wrote to Congress, strongly recommending that they make some changes to the way that the Continental Army was being administered. Improving pay would be great, but simply ensuring that pay happened on a regular basis would be even better. And, of course, if a standing army could be established, then the men would be locked in for longer periods of time, and his officers wouldn’t spend so much time training new recruits.

    Whether Congress agrees to this change…stay tuned.

  • The Peace Delegation–September 9, 1776

    Cover art for September 9, 1776: portrait of Edward Rutledge, ca. 1791 by James Earl. Via Gibbes Museum of Art, Charleston SC.

    First off, my apologies to you, and to Mike (because it was his episode), for not double-checking that yesterday’s episode was actually loaded into the feed. I’ve been fighting off a ridiculous sinus infection and I think my medication had me woozy.

    On the bright side, I’m probably sounding extra sexy in today’s episode because my head still feels like a brick.

    Yesterday’s show should be in your podcast feed now, though, along with this one.

    Today we have a trio of delegates headed to New York to attempt peace talks with the British. Meanwhile back in Philadelphia, the Congress officially declares that our country’s name is the United States of America. Check out the story behind that.

  • A British Offer–September 2, 1776

    Cover art for September 2, 1776: portrait of John Sullivan at age 34 in 1774. Painted by Richard Morell Staig circa 1876, based on a mezzotint print from 1776.

    General John Sullivan had been captured only a few days before by the British, during the Battle of Long Island.

    Now, Mike tells us in this episode that the Howes talked him into approaching the Continental Congress with their peace offering, but equally likely is that Sullivan simply agreed to deliver the message because it would get him out of captivity, at least for a while. (He was paroled specifically to deliver the message. Once he had his answer, it was “Back to jail with you, Johnny.”)

    Part of the problem Sullivan had was that Congress didn’t think the offer was sincere; another part is that some members didn’t think Sullivan was sincere. Sullivan returned to the British, delivered the reply from Congress, and was re-imprisoned for another few months, until he was returned in a prisoner exchange.

    So we haven’t heard the last of John Sullivan!

  • Washington Is Back To Business–August 31, 1776

    Cover art for August 31, 1776: General William Heath. Artist and date unknown. via New York Public Library.

    Washington wrote two letters today: one to General William Heath, and the other to Congress.

    To Heath, he basically gave a little bit of an “attaboy” in agreeing with Heath’s assessment regarding the British Army’s next move. So he recommended that chevaux de frise be sunk in the waters nearby the next likely target (Huntspoint), to thwart the British ships moving in. Other than that, some reinforcements are on their way, so until the British arrive, just hurry up and wait.

    Now, a cheval de frise (“chevaux” is plural) was tough for me to explain during the show, but picture a sawhorse with long spikes protruding from it. That’s a basic cheval de frise. (The one in the picture is from the Civil War.) But they’re not limited to this specific design; some stone walls had broken glass, or sharp rocks embedded in their tops to make it tougher to climb over them; those are also considered to be a cheval de frise. The ones that Heath were expected to sink in the East River looked more like boxes with angled spears pointed in the direction the ships were likely to be coming from.

    Washington’s other letter, to the Continental Congress, wasn’t so much to inform them of his loss on Long Island as it was to assure them that he was alive and well, and that most of his troops had gotten away despite the magnitude of the loss. It would be several months before Washington could truly notch one in the “Win” column against the British.

  • Flying Camp Rations–August 9, 1776

    Cover art for August 9, 1776: the broadside issued this day outlining Flying Camp rations. via Library Company of Philadelphia.

    The idea to have a flying camp at all belonged to Geroge Washington. He knew that he was going to be facing huge numbers of British soldiers soon, and he proposed having a mobile unit that could show up wherever they were needed.

    While the soldiers came from three specific states, they were intended to be our first national force, with no specific state basis. Thus, they were recognized as “First Battalion,” “Second Battalion” and so on rather than “Burrell’s Connecticut Regiment” or “Pennsylvania Second Battalion”. That said, because there were specific quotas from each state, the various groups tended to have soldiers from those states and could still be identified as such.

    These men were largely able to focus on the defense of New Jersey while the main Continental Army spent its time in New York. However, several men from Maryland and Delaware were assigned to fight in Brooklyn Heights when the Battle of Long Island broke out, and most of them lost their lives. They did, however, manage to prevent the capture of most of Washington’s army, but it could be viewed as a Pyrrhic victory.