Tag: Massachusetts History

  • September 17, 1775: Death of a Militiaman

    Cover art for September 17, 1775: statue of the Minuteman that stands in Lexington, Massachusetts.

    The Minuteman statue in Lexington, Massachusetts is said to represent Captain John Parker, who died on this day.

    Except Parker wasn’t a minuteman.

    He also probably didn’t look like the man in the statue, given his age and what other small details we know about him.

    But as usual, nobody lets the facts get in the way of a good story, so just roll with it, hm?

    (We’re guessing he probably wasn’t green, either. )

  • September 11, 1775: One Siege Begins, Another Continues

    Cover art for September 11, 1775: "Siege of Boston" wood engraving (detail), created 1879, artist not cited. via the New York Public Library digital collection.

    As the winter of 1775 approached, George Washington had to think about the state of the siege of Boston. In short, housing and clothing thousands of men in a New England winter is a very different proposition than doing it in the summer.

    So Washington convened his War Council to discuss the possibility of breaking the siege by attacking the city from a different direction.

    Meanwhile up in Canada, General Philip Schuyler takes another run at Fort St. Jean.

  • September 3, 1775: The British Move To Break the Siege

    Cover art for September 3, 1775: Early map of Boston showing the neck. From the collection of Historic New England. The blue line shows present-day Washington Street.

    Anyone who’s been to Boston in the modern day has a hard time recognizing that the city of Boston was just the segment in the top center of the map. The area called Boston Neck is clearly marked at the bottom left, and wasn’t part of the city. The Continental Army’s line ran about where the blue line ends. (The blue line is modern-day Washington Street.)

    It was the city having that kind of geography that made the Siege of Boston relatively easy for the Patriots. Unfortunately for them, the British were still able to use the surrounding waterways.

    This made the siege not the battle of attrition that it could have been, since supplies were able to get in via water. Consequently it was an ongoing battle of wits, as we learn today.

  • August 31, 1775: The Liberty Tree Dies

    The cover art for today’s episode may be one of the most famous art pieces depicting an event of the American Revolution, and it happened under the Liberty Tree, which is clearly marked here.

    This event, the tarring and feathering of Loyalist John Malcolm, took place about 18 months earlier and shows Malcolm already tarred and feathered, and now he’s having (also marked) tea poured into his mouth. The Stamp Act is nailed to the tree, upside down. Really, there’s a lot to unpack in this picture. So it makes sense that people were upset that the tree had been cut down.

  • August 8, 1775: The Battle of Gloucester

    Cover art for August 8, 1775: the HMS Falcon

    It was another net win for the Americans as the HMS Falcon, which had originally been assigned to the Colonies to enforce the Intolerable Acts, took a run at stealing livestock in order to provision the British who were stuck in Boston during the siege.

    Unfortunately for them, the Colonists were wise to their moves and took appropriate action…more than once.

  • July 30, 1775: A Battle at Charlestown Neck

    Cover art for July 30, 1775: OK, we'll level with you. This is a painting of the Battle at Bunker Hill from June. There are no significant images of the battle described today.

    Boston had been under siege since Lexington and Concord. Of course the British felt that they needed to break out of it from time to time, and today was one of those attempts.

    Now, this was a success for the Continental Army, but the fact is, few people realized at that time just how close they were to losing that battle, and badly. But that’s for a couple of days from now, on August 1st.

    Coincidentally, August 1st is the day that this podcast begins airing on Hamilton Radio!

    Tune in to HamiltonRadio.net to hear our show, and a bunch of others. We’re in good company over there.

  • July 11, 1775: From John to James, and The Other Long Island

    Cover art for July 11, 1775: Portrait of James Warren, 1763 by John Singleton Copley. Now in the Museum of Fine Arts, Boston.

    Oof, that’s a mouthful of title. Oh well, what’s done is done.

    As noted in today’s episode, James Warren was not related to Joseph Warren. On the other hand, he is related to Mercy Otis Warren, because he’s her husband.

    James and John Adams had a few ideas in common; the hard part was convincing a few others that they were in the right.

    Meanwhile, did you know there’s another Long Island? That sort of thing really plays havoc with our research. This one is in the Boston Bay, and it’s a familiar story because something similar happened a few weeks ago. But tune in anyway.

  • July 3, 1775: Washington Takes Command

    Cover art for July 3, 1775: Washington Taking Command of the American Army, detail from an 1876 Currier & Ives print.

    On June 15, 1775, George Washington was appointed Commander of the newly-formed Continental Army.

    On July 2, Washington finally arrived in Cambridge after a few stops in Trenton, New York and presumably a couple of other places. What he found was a huge mess.

    So on July 3, he officially took command and started the work of turning this ragtag crew into some kind of organized fighting force.

  • July 2, 1775: Do You Know the Button Man?

    Cover art for July 2, 1775: The "NA 57D" button created for the US Marines by Aaron Peasley. On the reverse appear the words "A.M. PEASLEY/BOSTON"

    As you listen to today’s episode, it’ll become clear that Mike had way too much fun writing and recording this one. But then again, I wrote the title, so.

    There are plenty of jobs out there that are kind of obscure, in the sense that it’s a job that somebody has, but you never really thought about. For instance, did you know that with some high-end perfumes, the labels are put on manually? Someone’s out there sticking the labels on the bottles, because either the bottles don’t go through the machinery politely, or the levels of quality are low when they’re applied mechanically. So it’s easier to have someone stick on the labels.

    “Buttonmaker” is also a likely profession in this realm, largely because it is so automated these days. But back in the Colonial days, it was a specialty profession, especially since Aaron Peasley, the subject of today’s episode, refined the die sinking procedure used to make buttons then. And except for the specific means of creating the die (it’s done using electrical discharges nowadays), the overall technique hasn’t changed much.

    But his talent didn’t end there. Listen in and see what else he did.

    Additional note: the closeup photo of the button used in the cover art comes from a fascinating article written by 2ndLt. Kevin Rosentreter, USMC, who also took the photo.

    Mike and I alternate on the writing and recording, but the final steps of the show, including the artwork and the show notes, are entirely my responsibility.

    My sincere apologies for not giving appropriate credit. You can read his article here.

  • June 25, 1775: Peter Brown Saw It All

    Cover art for June 25, 1775: the gravestone of Peter and Olive Brown, in Lunenburg, Massachusetts. via Find-a-Grave.com.

    There are lots of times when historians have to pull a lot of small pieces together to get a decent picture of events. They use oddball clues such as artifacts in paintings to determine someone’s state of health, for instance. They have to take into account that published reports could be propaganda in nature.

    But once in a while, something turns up that was written more or less at the time it happened, and what’s more it was written by someone who doesn’t necessarily have an agenda.

    And in this case, nobody even knew it existed until a hundred years later. Exactly a hundred years later, in fact. A young soldier named Peter Brown wrote a letter to his mother just a few days after the Bunker Hill battle to tell her what happened. He spared few details and told a rather complete story of a couple of days’ worth of activity. And while he did mail the letter, and his mother did receive it, it mostly lay in family archives until 1875, when a descendant found it and realized that it might be important.

    If you’re interested in seeing the letter itself, or reading a transcription, it’s available at the Massachusetts Historical Society’s website.